The Contest Winner Is …

Beast 1

In my last post, I had started a contest at Freelancer.com for ideas for a specific chapter of the book I am writing. I got 13 entries, but only seven are visible at the link unless you log in to Freelancer.com.

I loved most of the ideas I got and it was a tough choice choosing the one official winner. I chose the entry from Faith I to be the main winner and to get my $100 prize. But then I decided to buy the ideas of three others as runner-up winners (at a lower price they agreed to).

The picture if of one of the beasts pulling the carriage.

The whole chapter is rather long so I divided the chapter writing into four parts:

  1. Entering the Wilderness
  2. Creature Attack
  3. Bandit Attack
  4. Approaching the Destination

Then I set up to write each part individually to keep my mind focused. I seem to do better when I focus on one scene at a time, especially when I am trying to combine ideas from five authors (including myself).

This post will focus on Chapter part 1: Entering the Wilderness.

First here are the four winners:

Faith I

Faith was the grand prize winner. In the contest I had asked for a synopsis of the proposed chapter, and an excerpt of the hypothetical chapter. Faith wrote the whole chapter. She wrote a new part for the previous chapter also, which I added (reworded) to the previous chapter.

Here is an excerpt of her suggested chapter, only the chapter part for Entering the Wilderness, otherwise this blog would be too long. It will already be too long as it is.

By the time we approached the wilderness, the day had already changed to dusk, the forest breeze was rather unwelcoming, and it seemed as though there were no other life forms present save for the trees and bushes. As soon as the wilderness was in full view, the buffalos came to a sudden halt causing the carriage to jolt slightly.

“What’s the matter?” I asked my alternate self aloud as I peered through the carriage window.

I don’t know, maybe the buffalos decided they’ve had enough and stopped for the night. This was followed by a wild laughter and I somehow found myself laughing along.

Meanwhile the others in the carriage stared at me like I was some kind of loon.

After a moment of blank silence, Hunger-tar spoke, “the buffalos are frightened of the wilderness, it gives off bad vibes and the beasts can sense it”.

Again, I wondered what could be so scary to such great beasts, before I could get a chance to ask, I heard the driver and one of the guards outside trying to get the buffalos to move. After several thunderous roars from the beast and yelling from the stage coach operators, our carriage was back in motion.

We proceeded through the narrow pathway of the dark, thick forest at a significantly slower pace than we had been moving earlier. As we went, there was nothing but dead silence, the guards had advised us to keep it quiet so as not to attract

any dangers. Still it seemed to me that everyone was unduly agitated, after all, there was not a single soul in sight nor any sounds except the snapping of twigs and branches as we passed through.

I found myself dozing off after a little while and soon, I was fast asleep. When I woke up, it felt like I had been asleep for years, a feeling that felt all too familiar.

“Oh, he’s finally up!” Ink-san said, and the rest of the crew chuckled. I slowly sat up, blinking my eyes to see all of them staring at me.

“Honestly, I don’t know how you can sleep through this, I mean, doesn’t this place creep you out.” Said Copper-san as she flew over and landed on my shoulder.

Looking out the window, I noticed that it was now nearly pitch dark outside, save for a faint beam of blue light coming from the front of the carriage, I imagined it was what the stagecoach driver used as he guided the carriage. It was at this point that I noticed how ominous the forest was, nonetheless, I decided to put up a brave front. To distract myself, I focused on eating the food we had gotten at the marketplace, the others joined me and for a good while we were all able to ignore the sinister nature of the dark wilderness.

I used many of her ideas in the first part (and second part) of my chapter.

Sasha S

The next runner-up is Sasha S. I use many of his ideas but I didn’t use them for this first part of the chapter.

Ravi N

The next runner-up was Ravi N. I used a few of his ideas. For the first part of this chapter I mainly used the idea of the pink color for the strange forest leaves. This particular wilderness is strange even for the planet Sonik.

Robert, copper san, Ink san, and Hunger tar along with the coach guards and driver departed for the national archives. The national archives was a place that was situated in the middle of the vast forest, filled with unspeakable dangers, but Robert and his group were mostly unaware of this. After travelling for half a day through their carts, the group reached the outskirts of a vast forest. The forest was an entire world of its own, its trees were tall reaching almost the sky, and the peculiar thing about the forest was that it wasn’t green in color but rather had a dark pink hue to it. It looked absolutely beautiful. Everyone was dumbstruck on seeing it, even the people who’ve heard about it before were no exception.

Seeing the peculiar dark pink hue of the forest, Robert asked copper tar if she knew anything about it, but to his surprise, she had no idea about it. After some moments, their carts entered the forest, the instant they entered the forest, they felt a chill which made their hairs stand on back. Every one of them had an idea that this forest was more than just beautiful. The buffaloes of the carts were hesitant to pull the cart inside the forest, but they were helpless against their masters. The group kept travelling but at a considerably lower speed. The forest had different trees, and some peculiar plants, one plant which looked like a sunflower devoured a small leopard like an animal. Seeing that, nothing came out of their mouth. Soon the day was about to set, it wasn’t the time for the sun to set, but the thick canopy of the forest was preventing the sunlight from entering, which led to early sunset. The group decided to camp for the night but at that instant, they heard a roar that sounded very angry, all of them heard it and everyone felt the fear in their hearts at that moment. Hunger tar asked Robert what was it? But Robert was also at a loss, even his other half was a bit terrified. Copper san and Ink san were so scared that both of them were holding Robert’s head standing on either side of his shoulders, the scene despite the situation was looking pretty comical. The buffaloes were all kneeling on the ground, the sound was there only for an instant and wasn’t heard after that. But the buffaloes refused to get up for a long time. The night came and the forest looked even more mystical, the scene felt like it was straight out of a dream. They made supper from their ration, ate and went to sleep. When Robert was sleeping, he could hear the sound of a small child who was sobbing and talking in broken sentences. Initially, Robert thought that it was his other half, but it soon became clear when his other half complained about the same thing. They heard it for a few minutes then the sound disappeared.

Nicolas C

The last runner-up was Nicholas C. His ideas were valuable, and I use a few of them later, but not in this first part of the chapter.

Jimm Grogan

So, here is the first part of the wilderness travel chapter as an example for this post. This is the official first draft of my version of the chapter part. I merged in many of Faith’s ideas and a few of Ivan’s with many alterations of my own.

By the time the wilderness was in the distant view, the day had already changed to dusk.

There were no farms, agriculture or homes in sight, so technically we were in a wilderness already. But the normal wilderness had sparse trees, grass and visibility into the distance. I saw occasional furry creatures scamper away from the road, resembling pikas on Earth.

But up ahead, there was what appeared to be a distinct boundary. On one side was normal wilderness. On the other were dense tall trees raising a canopy of pink leaves, sloping steeply upward from the boundary. It was a wall of trees and brush, with no visibility to what might be behind or inside that wall.

The road led to a dark hole in that wall.

I was appreciating the humor of the wilderness’ name less and less; the ‘Wilderness of No Return’.

As we neared the hole into the dense forest, the chill breeze wafting from the entrance felt unwelcoming. The sky was partly dark already, but as we entered the hole it quickly felt like midnight. The buffalos came to a sudden halt causing the carriage to jolt slightly.

“What’s the matter?” I asked as I opened the carriage to lean out.

Hunger-tar spoke. “The buffalos are frightened of this wilderness, it gives off bad vibes and the beasts can sense it.”

One of the carriage guards turned on one of those ‘ultra-bright’ fairy-sized flashlights I had been giving away as a bonus to fairy’s who bought my tablets. I looked up at him as he climbed down from the carriage roof to the ground.

“We’ll be fine,” he whispered. “I got one of these magic lights some human has been giving away. The beasts will follow the light. Just stay quiet so we don’t attract attention.”

Hey, aren’t those lights reserved for fairy customers? My twin personality complained.

As long as the fairy buys a tablet, she can do whatever she wants with the light as far as I was concerned. I was actually flattered that it found a use in some profession.

The guard walked out in front of the beasts, lighting the way. With the driver’s slapping the reins on them, the beasts started forward again, but slower.

Ahead, I could only see the road and tree trunks and gloom. The ultra-bright light didn’t seem so ultra-bright here, but it worked. We could see.

I closed the door. “Why do we need to be quiet?” I whispered to my fellow passengers. “Whose attention is available in this place?”

“There are evil predators from this forest,” Ink-san said. “Some are attracted to noise.”

I laid back and closed my eyes. “Maybe things will look more interesting in the morning,” I said.

“Really? You’re going to sleep?” Hunger-tar asked.

Oh yes, though my other self.

“Oh yes,” I muttered aloud. My previous worries about Garth finding me had kept awake last night. This was an excellent time to get caught up on my sleep.

A jolt of the carriage awoke me. I opened my eyes tentatively.

“Oh, he’s finally up!” Ink-san said. The rest of the crew chuckled. I slowly sat up, blinking my eyes to see all of them staring at me.

“Honestly, I don’t know how you can sleep through this. I mean doesn’t this place creep you out,” said Copper-san as she flew over and landed on my shoulder.

Looking out of the window, I noticed it was still dark. “It’s not even morning yet?”

“It’s morning,” Ink-san said.

I opened the door and leaned out while Copper-san clung to my ear. I could see the pink canopy overhead. All direct sunlight was blocked by it. But is was light in a pink gloomy way. I could see the road and the tree trunks. The species of tree was different in this wilderness. Besides having pink leaves and being outrageously tall the trunk bark was a deeply textured black.

The guard was no longer walking in front of the buffalo or using his light. We were traveling faster now though approaching a speed bump crossing the road. The dirt was broken in a straight, two-meter wide line straight across the road. I braced myself as the carriage jolted over it.

I closed the door. Everyone inside seemed depressed or worried. To distract ourselves, I focused on unpacking the food we had gotten at the marketplace. The others joined me and for a good while we were all able to ignore the sinister nature of the dark wilderness.

 

 

Waiting for the Author’s Proof

I submitted my book cover and interior to createspace.com. They will send me the printed author’s proof (first copy of the book for my review). I already know it will be perfect (from the electronic proof) so I expect to click the “Publish” button. My book should be on Amazon in a couple weeks. It’s exciting.

Last week I told you I would include the first chapter page from the interior of an earlier book (Baktu in this case) which I formatted myself using default Microsoft fonts and styles (BaktuInterior6x9.paperBW.FirstPage), and the first chapter of this new one that I paid to have it professionally formatted (Claymore_Proof_Interior_FirstPage). I am real happy with the professional one. It is clean and stylish.

As I mentioned, the cover is done (by Tiziana of Freelancer.com) and I will feature it in another blog. It’s beautiful.

It’s always a relief to me to have finished a novel. But getting it on Amazon is when it will really be finished. However, in this case, I still need to submit the color version to createspace.com, so it won’t really really be finished until that one is also on Amazon. Color is so expensive on createspace.com that it is hard to recommend buying the color version of a book to friends with a straight face. But Tiziana’s color illustrations are so beautiful that I must publish it.

The featured picture this week is the illustration for chapter 49, the last illustration. This is a moment of suspense when Claymore is injured and fading. One of is nemeses is about to kill his friends that are chained to the wheelchairs.

Chapter 49

 

Book Interior Formatting

I sent my final manuscript to the createspace.com “custom interior” service. This service includes formatting the document to the book’s 6″ x 9″ page size, selecting the ideal fonts and style for my story (influenced by my selected preferences) and placing my 10 illustrations.

I usually do this myself. It’s not that hard, especially since I tend to keep Microsoft Word’s default fonts and header styles. This time my curiosity got the better of me and I decided to try the mysterious service. It costs about $349, so I am hoping for a noticeable improvement from my own simple format. I will show a sample of my chapter one page from a previous novel to their chapter one page after they finish.

Meanwhile, it was a bit of a rocky start since they rejected my manuscript a couple of times for things I thought were trivial, and that they should of been capable of fixing. First, there was a change left from the Microsoft track changes feature, and their rule is all track changes must be accepted or rejected and turned off. It took me a while to find that a space had been added or deleted, or some invisible thing I am still not sure of, and I had not accepted it. Sigh.

The second time they sent it back, they said the title page had a subtitle: “Book Three in the Tomek Universe”, while in the form I filled out I indicated there was no subtitle. In the createspace.com requirements, it listed all the things that could be on the title page, including a subtitle and the book number in the series, which I assumed were two different things. Sigh.

I found it annoying at the time because it delayed the project two days. But I’m still optimistic and excited to see the result. It is due April 26. I will report on the results in two weeks.

This week’s featured illustration is for chapter 41. Here Tiziana shows almost the whole crew of the significant characters. On the wall screen is Tomek and Spri telecommuting to the conference. Tomek and Spri can’t be there in person because they are busy making my next book’s plot happen. The plots overlap. I was hoping for a scene that showed them all, even the tentacled Scod, and Tiziana made it happen. I see paper is still used in the far future, but it’s probably electronic paper, like a flexible and superthin Kindle tablet.

Chapter 45

Sequels as Standalone Novels

Some of the feedback that I got back from an editor on my sequel sci-fi manuscript was that I did not explain particular things, such as various sentient races and what they looked like. This is a sequel, and I did go over those details in my previous books. That means readers of my previous books would not need those explanations again. So it did not occur to me to explain them again. Right?

I suppose the decision is whether the author wants to require the reader to read each book in the series, and in order. I’ve read some first-of-a-series books that ended on a cliffhanger such that none of the major plot lines were resolved. You had to buy the next book to get any resolution. I decided against this. I did design in a series plot line that would require reading all five books to resolve. However, I wanted each book to be a satisfying novel all by itself. So I made special efforts to have a special plot for each book, with the series plot being secondary. This may be an old concept to experienced writers.

Anyway, since I want the Claymore novel to be good and satisfying without reading the previous ones, I took the editors concerns seriously. But then I was still concerned about boring the readers that already know what the races (or other things) look like. So I tried to either be concise, or to explain it in a way that added insight that previous readers wouldn’t already know, or “show, not tell” in a way that was an important to moving the scene or story forward or to show the particular character’s unique personality compared to others of her race. I think I was able to address most of the issues that the editor brought up in a good way.

On another front, the appendix short story for the minor character Jak is almost finished. The guest author just needs to review some editing that was done to his story. It is a backstory that explains some of Jak’s motives and dilemmas. I am excited to include it in my novel.

Tiziana created the illustration below for chapter 23. Here, Claymore, the lawyer accustomed to wealth and power, is penniless and homeless. With help, he has escaped from prison. But the bad guys are monitoring all his accounts. If he spends anything, they will know where he is. The picture shows this scary new experience as he and Phee try to find a place to sleep in a strange city.

Chapter 23 Final version

Short Stories in the Appendices are Fun

I have recruited two authors to write short stories for my next novel ‘Claymore’ (one of them is a maybe). I also sent an invitation to Gavin Parish but it is too soon to know if he accepts.

With my last novel ‘Baktu’, I had three short stories added to the book’s appendices, written by independent authors. These stories focused on back stories for minor characters. I gave the credit to the author at the top of each story. It was a lot of fun for me and I thought the stories were great and added a valuable dimension to the book. So I decided to do the same with ‘Claymore’.

I expect it to take four to six weeks for all my planned illustrations and short stories to be done (by freelancers). The novel itself is done except for grammar edits. In parallel, I need to start planning the book cover.

The second chapter to have an illustration is Chapter five. I plan to post on this blog each Monday or Tuesday until Claymore is published and include a chapter illustration with each post.

chapter-5

In this illustration, Claymore is presenting his bill to the legislature of the Azten Empire. He is pushing for more resources for government law enforcement agencies to take the pressure off citizen vigilante work and to create reliable justice. Good luck with that Claymore.

Navinos and Claymore

I am on my last rounds of editing my next book ‘Claymore’ (except for purely grammar edits). I am focusing on minor details like plot details, characterization and descriptions.

While I am at it, I hired tizianafruiu from Freelancer.com to illustrate some of the chapters. I am not illustrating all 49 chapters, just one-fifth of them. I already have three of the planned ten completed. Here is the illustration for chapter one: chapter1

Claymore is the one wearing blue (or is it purple?). His race is ‘navino’. Claymore is eating with his niece and her friend.

Claymore has had subtle connections with Tomek in the Negative Zero and Baktu novels and now he gets his own book.  The novel, Claymore, will start before the Negative Zero novel and end after the Baktu novel and investigate some background mysteries from both of those books.

Below is a previous illustration I had drawn for the same chapter one, except a misunderstanding made it a landscape orientation instead of the portrait orientation I wanted. This was a different artist and you will see her opinion on the chapter 1 meal and what a navino looks like.navito-7

Just for another opinion on what navinos are from another artist, below is the published illustration from my first novel ‘Negative Zero’ of a navino:

Navino 1b Tint z

Claymore and Content Editing

Hello. It has been a while since my last blog post. I have been working on my next novel, tentatively titled Claymore.

A preliminary bit of news is that my published book ‘Baktu’ is now available in audio format.

In my last post I claimed that my last book in the Tomek series was all planned. Well, things change. I decided the plans were too big to fit comfortably in one book, so I planned three books. With the current plan there will be a total of five novels in the series. I have finished the first (sharable) draft of Claymore last Saturday. That does not mean I am ready to publish it. However I am excited by this milestone because it means I can start dragging in help in the form of content editors.

I have been noticing fiverr.com, and decided to try a sample of the service from two specific content editors that are sellers there. For a sample I submitted my first chapter of Claymore to each of them.  The chapter is between 1500 and 2000 words. One cost me $10 and the other was $20. Both of the editors turned out to be good. I want to share one of the results here, in case you want to see what a good content editor does to your draft. Click here: ClaymoreChapter1_developmental_edit_CateHogan

Now I want to sent in my full manuscript for content editing, but I need to fix my chapter 1 first, based on the editor’s input.

When I send in one of my precious documents for editing, I usually go through stages. I don’t know if these stages are typical of all authors (who use content or developmental editing) but I will list mine anyway:

  1. Almost immediately after I submit it, I am impatient to get the results. I monitor my email  several times a day. I am tempted to contact the neighbor girl (when I hire her) or check guru.com, freelancer.com or fiverr.com (if I hired services from there) several time a day, and sometimes I give in to the temptation.
  2. I get the manuscript back and read all the comments and notes the editor made, with feverish anticipation.
  3. And then I feel crushed, deflated. The evil editor found flaws. They have implied that my precious words, that I worked so many months on, of are  defective. You won’t feel that when you read mine because you haven’t given birth those darling  words. I even start feeling rebellious. What to editors know anyway? What is so special about their opinion? I am exaggerating. The editor is usually polite about it, and they do sprinkle in compliments.
  4. I think about it. For a full book manuscript I ponder a whole day on it. I start to understand what they are talking about, and understand why those flaws weaken the story. I start seeing how the book could be so much better if I make specific adjustments to address the various issues they pointed out.
  5. And now I am excited. I can’t want to add all those improvements.

In the specific content editor’s notes attached to this blog, some things you will see are where the editor simply misunderstood. And that is good information too. I don’t want the reader to misunderstand. For example, the editor complained that I had Ramos (the human) looked down to talk to Claymore. Since Claymore has four arms he should be taller, right? No. Navinos have always been shorter than humans in the series. So I need to clarify that somehow in chapter 1. There was another item that was a simple misunderstanding.

Another specific item, and this one is a big deal, is that Claymore is not properly motivated. The reader does not have a sense of why Claymore would take risks, or why helping Phee would interest him enough to make sacrifices. This, I decided was deadly important. Sure Claymore wants law and justice for all (like I do in real life, so I automatically assume the reader has the same feelings). But is that enough? Even if is  a valid motivation, it is not specific enough. (Like she pointed out, there are lots of injustices in the news. What is so special about Phee’s situation?) And even that were his only motivation, I have not properly shown enough of Claymore’s background to show why. I am not sure all of this motivation needs to be established in chapter one, but I think I will try to do it in a prologue + chapter 1.

In any case I am planning on giving this serious attention. I now have planned something very specific about Claymore’s background that I want to write as an exciting prologue, where he loses someone dear to him. And it’s something that not only motivates him to help Phee, but goes beyond that and has specific repercussions in the remainder of the book and the plot. I won’t tell you the specifics of my plan, but I am excited to implement this new idea. The bad news is now I have to write a prologue, rewrite chapter 1, and make adjustments throughout the book. Probably before I submit the whole book for content editing. My schedule slides again, but that’s normal.

Final Tomek Novel Planned

Last week I created an outline for the final novel in the Tomek series. I created an outline of each chapter even. I even wrote a polished draft of two chapters. I will now start writing in earnest. It may take a year to finish the manuscript, and a another couple months to get illustrations and a final round of grammar checking.

The story usually changes from the plan by the time I finish the manuscript, so I don’t want to give too many details about it since they may not happen as originally planned. I have planned three intertwining plots that resolve the dangling series issues:

  • The Golantan Invasion: What happens when the big Golantan fleet arrives at Baktu? Does Baktu recover from local civil unrest in time to be prepared?  Are the Azten forces successful at repelling them? Does the homespun Baktu navy make any difference at all? Does Baktu survive the new overlords?
  • Claymore: What has Claymore been up to all this time? Does he solve the case of  of Tomek’s parents’ murder? How did he get special insight about Baktu? Does Trident kill him? Does he save the Trident kazimons? Does he survive the Trident kazimons? How does he find Trident’s secrets?
  • The Trident Conspiracy: Does Trident survive the Golantans? Do they take over Azten? Do they ever kill or recapture Tomek? Do they attack Baktu? Can they be stopped? Can the planet Zimvia survive their backlash?

I currently hope to make each of the three threads a worthwhile story on their own and make them combine in a way to create a spectacular novel. I am excited about this. I just hope I can make it all work.

Prepare for the Visual Feast!

BaktuIllustrationsFrontCoverSmall

Baktu Illustrations Newly Released as FULL COLOR Special Edition!

Welcome back friends!

Happily, there is even more great news to share about Baktu! Cass here at the blog helm again, checking to inform you of the latest developments about the printing of the book and distribution on Amazon.

As those who purchased early copies of book two in the Tomek series will know, the novel contains beautiful illustrations from contest winning artists, sourced from around the world. As he shared the novel with others Jimm learned personally of Baktu collaborators and fans of the written word who wanted to badly to see the original versions, that he pulled the trigger on an accompanying printed graphic which is just now available to the public, also on Amazon.

Due to the cost of full color publication of the entire epic, the artwork had to be printed in black and white throughout. As you experience the image in only the form of light and shadow, it gives the drawings within the full length novel a nostalgic and dream like quality. Each visual likeness leaves your imagination to explore and envision the colors, hues, and contrast of every depicted scene. This difficult choice to remove color from the pages was done with the purpose to make the book more economically priced and therefore accessible to more readers.

After seeing full novel in print, Jimm knew he wasn’t quite done sharing the diversity of talented artists who had contributed to the novel. It then also became of high importance to Jimm, as he progressed through the project, that the audience be given the opportunity to enjoy the full beauty of the different graphic styles of the artwork in high resolution full color.

Personally, it is such a treat to see both the black and white, as well as the full color side by side as I read the novel again. Sometimes my imagination closely matched the artist’s rendering, and other times I was delighted to see that the artist had chosen nearly the opposite colors to what sprang from my imagination.

In the full novel your imagination really makes the drawings your own as your mind’s eye fills in the details between light and dark – whereas the stunning high-resolution drawings provide every detail and some surprises as to the artist’s interpretation of the story. The full novel and the special edition collection of color illustrations are complimentary books, and make a beautiful set for avid readers and science fiction fans of all ages! In this newest release of the drawings accompanied by a short blurb about each artist, you may find yourself lost in the soulful pictures, and dreaming up the prequel as well as back story for Wra, Spri, and the other natives of Baktu.

After you’ve enjoyed them both, please feel free to leave your comments or questions for the author about both the story and illustrations here! I’ll be back with you to share the next developments for the Tomek series! Thank you again to all the fans for your support and interest. Your continued curiosity and compliments have been a joy for everyone who contributed to the project, and especially for those artists who thanks to Jimm are able to bring the adventures of Tomek to both the digital and print world in black and white and brilliant color! Thank you!

Amazon: Illustrations in Baktu (54 pages): collected by Jimm Grogan

Amazon: Baktu: Book Two in the Tomek Series, By Jimm Grogan (356 pages, black and white)

For more information: https://jimmgrogan.com/

Contact: https://jimmgrogan.com/contacts/

Baktu Finally

After what what seemed like forever to me, I have finally published the kindle edition of my book Baktu. It took a while to have all the illustrations created. Now, it is available on Amazon.com here.

The two paper editions will be available this week. There will be a cheaper black and white edition, and a color edition.

Illustrators

All 33 chapters except two have illustrations, and two of the appendixes also have illustrations. See the small thumbnails of the illustrations in above excerpt from the acknowledgments page. I hired eight different illustrators, each with a different style. It was fun having different visual interpretations of the chapters from each of them, and hopefully it won’t be too confusing to the reader. I am excited to show their work. After the fact, I see I forgot to acknowledge one important illustrator: GrayCactus, who illustrated chapters 8, 12, 13, 15 & 33. I don’t know how I missed that. I will need to update the kindle edition of the book to mention Gray Cactus in the acknowledgements in a couple weeks, and hopefully add the two new in-progress illustrations while I am at it.

Also, I really like the short stories in the appendixes of the book. These were written by other writers (not me) and they did an excellent job for me. Each of the three short stories revolves around a different minor character in my book. I think each add some depth to the Baktu world. I am thankful for these writers participation.

It is nice to have this project unleashed into the world so I can finally show it to those who have been waiting, and I can turn my attention to the future big thing.