Experimented with Twine.fm

ProcyonB

I commissioned an illustration from an illustrator at Twine for a short story I am planning to self-publish. The guy I hired made me the beautiful piece above.

The Twine experience was a little different than the freelancer sites I have used before. I am still trying to figure out if I will use it more.

Fiverr.com is great for quick typical needs, but if you want something a little more custom or special, they don’t seem adaptable. You would often need to change your project to better match the definition of the job the creator advertises as his/her specialty. You cannot post a job and have creators give you bids.

Freelancer.com is great because you can post exactly what the job is that you want to have done, and the creators will search you out and give a bid, sometimes too many bids to review. This is perfect for me because most of the illustrations or other art I need are custom situations. However, this process can be a little burdensome if you just want a quick little thing. Also, Freelancer pesters you with several small fees during the process so you never know exactly how much the project will cost in advance.

Twine.fm is more similar to Freelancer.com. You post a job, and the creators submit bids. Twine seems more casual and the personnel seems more eager to give you their personal attention to help you through the project. Besides the bid price you agree to with the artist you choose, to pay exactly 20% extra to Twine. I think that is better than a bunch of little fees, but it does seem a little more than I expected. On Freelancer.com they charge the hired artists fees also. As far as I can tell, Twine does not charge the artists any fee, except an annual subscription if they want to enjoy premium perks. Also, Twine specializes in visual arts like videos and illustration, not in writing or other tasks.

I will probably give Twine some more business. I still expect to revert to Freelancer and Fiverr on occasions.

Waiting for the Author’s Proof

I submitted my book cover and interior to createspace.com. They will send me the printed author’s proof (first copy of the book for my review). I already know it will be perfect (from the electronic proof) so I expect to click the “Publish” button. My book should be on Amazon in a couple weeks. It’s exciting.

Last week I told you I would include the first chapter page from the interior of an earlier book (Baktu in this case) which I formatted myself using default Microsoft fonts and styles (BaktuInterior6x9.paperBW.FirstPage), and the first chapter of this new one that I paid to have it professionally formatted (Claymore_Proof_Interior_FirstPage). I am real happy with the professional one. It is clean and stylish.

As I mentioned, the cover is done (by Tiziana of Freelancer.com) and I will feature it in another blog. It’s beautiful.

It’s always a relief to me to have finished a novel. But getting it on Amazon is when it will really be finished. However, in this case, I still need to submit the color version to createspace.com, so it won’t really really be finished until that one is also on Amazon. Color is so expensive on createspace.com that it is hard to recommend buying the color version of a book to friends with a straight face. But Tiziana’s color illustrations are so beautiful that I must publish it.

The featured picture this week is the illustration for chapter 49, the last illustration. This is a moment of suspense when Claymore is injured and fading. One of is nemeses is about to kill his friends that are chained to the wheelchairs.

Chapter 49

 

Book Interior Formatting

I sent my final manuscript to the createspace.com “custom interior” service. This service includes formatting the document to the book’s 6″ x 9″ page size, selecting the ideal fonts and style for my story (influenced by my selected preferences) and placing my 10 illustrations.

I usually do this myself. It’s not that hard, especially since I tend to keep Microsoft Word’s default fonts and header styles. This time my curiosity got the better of me and I decided to try the mysterious service. It costs about $349, so I am hoping for a noticeable improvement from my own simple format. I will show a sample of my chapter one page from a previous novel to their chapter one page after they finish.

Meanwhile, it was a bit of a rocky start since they rejected my manuscript a couple of times for things I thought were trivial, and that they should of been capable of fixing. First, there was a change left from the Microsoft track changes feature, and their rule is all track changes must be accepted or rejected and turned off. It took me a while to find that a space had been added or deleted, or some invisible thing I am still not sure of, and I had not accepted it. Sigh.

The second time they sent it back, they said the title page had a subtitle: “Book Three in the Tomek Universe”, while in the form I filled out I indicated there was no subtitle. In the createspace.com requirements, it listed all the things that could be on the title page, including a subtitle and the book number in the series, which I assumed were two different things. Sigh.

I found it annoying at the time because it delayed the project two days. But I’m still optimistic and excited to see the result. It is due April 26. I will report on the results in two weeks.

This week’s featured illustration is for chapter 41. Here Tiziana shows almost the whole crew of the significant characters. On the wall screen is Tomek and Spri telecommuting to the conference. Tomek and Spri can’t be there in person because they are busy making my next book’s plot happen. The plots overlap. I was hoping for a scene that showed them all, even the tentacled Scod, and Tiziana made it happen. I see paper is still used in the far future, but it’s probably electronic paper, like a flexible and superthin Kindle tablet.

Chapter 45